“a beautifully shot and edited documentary that asks us to re-think the borders of public space and art.”
Samantha Skinazi of culturenow.com did a nice little review of Bomb It – here it is:
Jon Reiss’ global graffiti documentary hard hits a vital contemporary nerve. Where is the public space? Who owns it? And why do advertisers have the right to control our visual landscape with images that are often vulgar and disturbing? A consumer culture (that we all very readily accept) tells us that money buys these rights of control and access. Bomb It challenges this. The film suggests that there is nothing natural, neutral, or normal about this relationship. I’m not saying this is a Socialist film; it’s a beautifully shot and edited documentary that asks us to re-think the borders of public space and art. Interviews with graffiti artists and writers from Los Angeles, New York, Sao Paulo, Paris, Barcelona, London, Capetown, and Tokyo re-situate graffiti outside the prison gates and inside a riveting dialogue about how we as humans negotiate a place for ourselves in controlled environments. Chaz Bojorquez, Cornbread, Revs, Os Gemeos, KRS One, Blek Le Rat, and Shepard Fairey deconstruct commonplace notions that graffiti is thoughtless and ugly and always gang-related. The film gives graffiti back its history and philosophical and social virility as an outsider art movement. The international perspective reveals graffiti culture as something innately human, dating back to the earliest days in caves – a mixed drive to say: “Hello world, I’m here,” and to use art as a weapon to fight and express the alienation and ugliness of modern cities.
by Samantha Skinazi ~ 16|Jun|2008